I was going to write a piece on texture for the blog, then I remembered I’d already written one and published it to my personal blog a few weeks back.

In the likely event you missed it, I’ve reproduced it here. Hope you enjoy.

Originally published on 1 October 2013

AUTHOR’S NOTE: On the Guardian website today is a piece by Amy Fleming on the changing shape of the Dairy Milk bar. I admit that this particular furore had passed me by; but as it happened, I’d just finished a piece on a connected subject, but with the emphasis on what the shape and texture of our chocolate can teach us about cooking creatively. Here it is.

A couple of connected questions for you.

Firstly, how many dishes do you know how to cook? Five? Ten? Twenty? More? Enough to keep you and yours from staring sadly at your plates while thinking “oh, not spag bol again”?

Secondly, what’s your favourite chocolate bar?

The link between the two questions may not be immediately obvious, but bear with me. If you’re able to answer the first question with an exact figure, you might do well to spend some time thinking about the second.

Same old, same old

Recently, a report by Morrisons indicated that the average Briton remains stuck in a “repeat meal rut”, maintaining a rotation of as few as five different meals. And apparently, more than half of us are still eating exactly the same meals we were ten years ago.

These results aren’t exactly surprising. What is even less surprising is the fact that the supermarket is using the findings to promote its range of pre-prepared meals. The message is unambiguous: if you don’t want to eat the same thing over and over again, look no further than the ever-expanding ready meals section.

Well, here’s an alternative idea. If you’re about to cook the same meal for the 521^st week running, don’t just admit defeat and reach for the convenience food. Instead, borrow a little trick from the chocolate-makers: take those familiar old ingredients, and look for a new way to put them together.

And if you doubt whether that will make any significant difference to your meal, may I refer you back to the chocolate question.

Wispa campaign

Do you remember the outcry when Cadbury withdrew the Wispa from sale in 2003? Attempts to rebrand it as a variant on Dairy Milk were unsuccessful, and the bar was finally restored permanently to our shelves in 2008, following a coordinated protest on social media – a Wispa campaign, if you will.

I can certainly recall being one of the outraged many when the Wispa disappeared; but why? Why didn’t I just shrug my shoulders and buy a Flake, a Twirl, a Spira – itself discontinued in 2005, prompting a Facebook campaign of its own – or any of the other milk chocolate bars made from exactly the same ingredients?

The answer, of course, is in the texture. The ingredients might be the same, but the eating experience is quite different in each case, solely as a result of the relative distribution of chocolate and air.

Whether we realise it or not, we have a pretty sophisticated understanding of the power of texture, at least as far as confectionery is concerned. As a nation of eaters, we know our Twirls from our Wispas. But when we cook, it tends to be the forgotten factor. We’re forever looking for new and exciting flavour combinations; but we’re oblivious to the textural possibilities of the ingredients we buy every week.

Where flavour meets texture

Writing in the Scotsman, Tom Kitchin discusses the years he spent as a trainee chef, learning different ways to chop and prepare ingredients to produce a range of effects. And he makes the crucial point that “cooking isn’t just about recipes. It’s about taking ingredients and making them taste as good as you possibly can.”

This is a sentiment I’d wholeheartedly endorse – to the extent that I’ve just written an entire book about the benefits of cooking without recipes – but I have a slight problem with the terminology. To return briefly to matters chocolatey, is there actually any difference in taste between a Dairy Milk and a Flake? I’d argue not; but their contrasting textures lead us to perceive them differently.

So why wouldn’t the same apply to savoury ingredients? Our eating experience is determined by the combination of flavour and texture. The two factors might not quite be equally weighted – in that no amount of textural magnificence can rescue a meal that tastes repulsive – but they are as fundamental as they are inseparable. A gelatinous, mouth-coating, lip-smacking sauce is a world away from a watery broth, even if they “taste” about the same. And the coleslaw in your sandwich would be an altogether cruder – and, let’s face it, weirder – experience, if the vegetables were roughly chopped rather than finely grated.

Safe experimentation

When I’m encouraging people to get creative with their home cooking, I invite them to think of their kitchens as their own personal research and development departments. The potential problem with this, of course, is that few of us can afford the time or expense of a failed experiment when we’ve got a family to feed.

But this is exactly where textural innovation comes into its own. Experimenting with flavour can be a fraught business. Attempt to pair lamb with banana, and you might just create something wonderful, but there’s every chance that it’ll be disgusting to the point of inedible. Focus on the texture, however, and you run none of the same risks. The ingredients are all familiar, you already know you like them, and you know they work well together. So you can get as creative as you like, secure in the knowledge that there’s not an awful lot that can go wrong.

So when you’re next faced with the ingredients for that over-familiar spag bol, why not try putting them together in a different way? Roll the minced beef into balls – you won’t need any additional binding agent, as the tackiness of the meat will be enough on its own – rather than using loose mince. Try putting the garlic in the meatball mix rather than the sauce, so that each morsel carries a distinct garlicky hit. If you’re in the habit of leaving the vegetables as chunky dice, try chopping them as finely as you can, then frying them gently so that they melt away into the sauce. Experiment with solid cuts of meat instead of mince, and with how finely you chop them.

Alternatively, why not play around with how the constituent parts (pasta and sauce) are divided? Leave the bacon out of the Bolognese and the Parmesan off the table, and instead, toss the spaghetti with Parmesan and fried pancetta before serving alongside the sauce. And feel free to take your pick from the dozens of shapes of pasta on the supermarket shelves, knowing that each will produce a slightly different effect.

It’s true that several of these examples would fail to meet any accepted definition of spaghetti Bolognese. But to put it bluntly: so what? If it turns out that I prefer it, then give me “bucatini al Tom” any day.

The fallacy of authenticity

Here’s one final question. If it’s so straightforward, why aren’t we all in the habit of experimenting with texture every time we cook?

In my view, there are two reasons. I’ve mentioned the first already: we tend to underestimate the significance of texture in our meals. The solution to this is straightforward: think back to the chocolate bar question, and remind yourself that the same principles apply to everything you cook and eat.

It’s not just that we underestimate the significance of texture when we cook (though most of us undoubtedly do). It’s also that we’re all too bloody obedient for our own good. We follow recipes dutifully, rarely bothering to ask why. And we have an unhealthy obsession with authenticity, as if there were some omniscient spaghetti God watching our every move, ready to strike us down at the first sign of non-compliance.

Well, I’ll risk an eternity of pasta damnation by saying to you now: there isn’t.

Food, like language, evolves constantly. Moreover, there are only two characteristics shared by all of the world’s most celebrated dishes, from paella to haggis. The first is they were invented not by design, but by happy quirks of necessity and circumstance. And the second is that no two cooks can agree on the “right” ways to make them. So our quest for authenticity is doomed to failure, because the holy grail we seek simply doesn’t exist.

So, with all that in mind, might I nudge you gently in the direction of a little textural experimentation? Take the meals you know only too well and reassemble them in a way you don’t. You never know: you might just stumble upon your own savoury equivalent of the Wispa bar.

And best of all, the next time anyone asks how many dishes you know how to cook, you’ll be able to answer honestly and with pride: “I have absolutely no idea.”